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   platinumphotographer                 
 
www.garyauerbach.com

mem_normal OFFLINE
Tucson
United States, Arizona

[ 615 ]


JOB: Photographer
GENDER: Male
% OF INCOME FROM ART?: 25% or less
$ YOU SPEND ON ART SUPPLIES EACH YEAR: $1,000-2,499
MEMBER SINCE: 01/27/2008
LAST LOGIN: 07/04/2008 01:13:41
MY RATING: 0.00






Former chiropractor, pistachio farmer....and now, a large format photographer working with platinum metals, polaroid image transfers and intaglio/photogravure.

Gary Auerbach has portfolios in the permanent collections of the Smithsonian Institution, the Library of Congress, The UofA Center for Creative Photography, The Bibliotecque Nationale de France, Musee Jenisch (Geneva) and other USA and international Museums.

Published book:
www.WeWalkinBeauty.com


platinumphotographer has 196 friend(s)




VIEWING 91 - 100 OUT OF 116 COMMENTS

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02/09/2008 16:18:46
Thanks! The really crazy thing about my mosaics that are featured is that they're PAPER! I have always done traditional pique assiette mosaics, but  they're pretty hard to move around at festivals..so, I developed this technique. LOVE your photos...you better buy up all the Polaroid film you can since I read they're stopping production!


From: Helene
02/08/2008 14:23:06

Hi Gary,

Thank you for your comment... I just put up my profile, and look forward to get familiar with the site. A lot of interesting work & opportunities. I like your photos - really nice work!

Helene 



02/07/2008 22:47:10
I really enjoy your prints!  I am also a printmaker (actually the one that mjblanco mentioned).  My prints are all drypoints on plexi.  I hope you add more photogravures to your gallery soon!


From: mjblanco
02/07/2008 15:13:26

Hi Gary,

 I love this conversation!  Drypoint is even simpler than scribing into a resist.  You scribe directly into the plate itself.  The traditional method is to build humungous forearms (that's flexor carpi and digitorums to you and me) by drawing into a copper or zinc plate with a steel or diamond tipped needle.  (You get more editions from a copper plate, and also, bigger forearms. ) You have to press hard enough to raise a burr of metal and when you ink the thing up, the real time consumer is wiping the excess ink off the plate so that it is only on the bur itself.  It feels like it takes forever, but it really depends on how complicated the drawing is.  It's a really nice break from lithography or other types if intaglio because  there is no plate prep, no chemicals, just grab a plate, file the edges so you don't shred the paper in the press and go at it.

 There is a member here who does drypoint using plexiglass, which sounds fabulous! It sounds like you could get more editions out of it than a zinc plate and it's not nearly as tough on your forearms.  Also, you could lay a sketch beneath it and trace right over it, removing any risk of screwing up.  (Well, maybe not all risk of screwing up.)  I haven't had a chance to try it.  I'll keep you posted

I worked for 7 years with the University of Wisconsin, but I was on soft money and the grants finally dried up.  I then spent a year of purgatory in Miami, freelancing for lawyers and that really put an awful taste in my mouth.  When I came back up here, I was tentatively offered a position at the University of Vermont, but that fell through and I really hesitated to go back to what I was doing in Florida.  So, I decided to go the fine art route and started into printmaking (lot's of printmakers around here, especially wood and lino cut.  Somehow, it fits.  Kind of an organic feel to it all but technically really tough to pull off well.) To keep my family happy and healthy, I play civil servant for the State 5 days a week.

 Gee, I bet you're glad you asked. I've been snowbound for two days and getting lot's done, but finding myself with a little cabin fever.  I get chatty when that happens.

 -Marcia



From: mjblanco
02/07/2008 11:14:06

Wow.  You really know how to tell a story in a single moment, especially with your portraits.  Thanks for visiting my site. I think we have a lot in common, both professionally and artistically.  BTW, what is "photogravure"?

 -Marcia



02/07/2008 10:16:15
I am liking the Poloroid transfers!  I did a ton of those in college!  Makes me want to get out my Day Lab again! 


02/05/2008 13:24:03
Hello, I came back to your site to look at the transfers...very nice.
Are they large 8x10's or larger? The last 2 years I've focused mostly
on the emulsions on the handmade tiles I make & placing on tumbled
marble. I just uploaded my largest piece, 4ftx5ft, 108 images, 432
tiles....it took a long time. After looking at your site again, i'm
inspired to go back to my image transfers on silk. I go back in with
pastels , do you paint on top of the image too? Cynthia


02/03/2008 17:26:29
Hi Gary,  Your gallery is awesome. I took a intaglio class in college and really enjoyed it. (That was a very long time ago..) I do not see where you write about your process- could you put a bit of info in a blog?  I would find it very interesting.  I'll check back soon-  Talk to you later,   Deb 


From: Artfelt
02/03/2008 14:50:54
Thank you for your comment and adding me to your friends' group!  Yes, I live in Prescott - I have been here for 4 years now.  Moved here from Santa Cruz, CA via San Francisco (for a year between the two)  How long in Tucson for you?


02/03/2008 14:06:27

Thanks for the coment Gary, Yes, my website is www.sonjakeyart.com............The two photo's you have on your frount page right now look like Adam and Eve.

 

 





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