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Hall Groat II | American Artist
OFFLINE
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endwell
United States, New York
 [ 207 ] |
| MY DETAILS |
| % OF INCOME FROM ART?: |
51-75% |
| $ YOU SPEND ON ART SUPPLIES EACH YEAR: |
$5,000-9,999 |
| LAST LOGIN: |
07/13/2008 19:19:27 |
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MY BLOGS
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| ABOUT ME |
HALL GROAT II | AMERICAN ARTIST
Location: ENDWELL, NEW YORK, United States
Hall II has been a fine artist for over 20 years. He currently is an Associate Professor at Broome Community College in New York, where he teaches foundation courses in Fine Arts. Groat has had solo exhibitions at Roberson Museum of Art, Everson Museum of Art, Washington and Jefferson College, Wadsworth Atheneum Museum of Art, Finger Lakes Community College, Cazenovia College, Lemoyne College, and various other institutions. In 2004 he was included in an exhibition at the Roberson Museum Center, entitled Cosmos and Chaos: A Cultural Paradox, with artists Lucian Freud, Eric Fischl, Jerome Witkin and several other contemporary artists. Groat’s work was featured in a full-page advertisement in the January 2004 edition of ARTnews. Groat is included in private and public collections internationally,including Michael Douglas & Catherine Zeta Jones, Clear Channel Communications, Bristol-Myers Squibb, Cellular One, Sheraton Hotel Corporation, Binghamton University, Everson Museum of Art, Munson-Williams Proctor Institute of Art, The State University of New York system, Roberson Museum and Science Center and Washington Jefferson College. |
| THINGS I LIKE |
In 2006 Groat became involved with the new international Postmodern paradigm called "A Painting A Day" which originated in the United States. This new model was introduced to the world by, Duane Keiser, from Richmond, Virginia, and emerged on a global scale in 2004 through the confluence of various cutting-edge cyber elements, including popular auction sites, blogs, youtube and message boards through Google Groups. This initial model has evolved into a global view of fine art, nurtured by the Internet's public domain status and free from the influence of traditional institutions. |
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