12/01/2008 18:47:26

These are amazing.  I'll have to get out my book "The Complete Printmaker" and read parts of it.  I seem to have a book on every subject; I just like to know how things are done.  Again, your pieces are amazing--I can't think of another adjective.

I'm adding you to my favorites so I can easily take another look.

06/02/2008 09:25:00

I really enjoy your work ad I love art that is on the Primitive side. Your use of space and color really keep me locked into the piece and that's what I truly enjoy!

Thank you for sharing your work! It's great!

Brett 

02/20/2008 10:14:56

Thank you for the information.  I just bought a book using collagraphs and intaglio prints together.  I just started reading it last night.  So far it's really interesting - very abstract.

02/17/2008 21:15:19

I haven't asked him about it yet.  I have only gotten as far as using one plate and printing one color.  I was thinking I could use tracing paper to kind of plan it out in steps.  It definately seems like a backward plan.  How many editions do you usually print?  I will ask him in a few weeks when I am back in class.  I absolutely love your prints.  Do you use oil or waterbased inks?

02/17/2008 21:00:04

I would really like to learn how to make prints with several different colors.  Do you have to cut several different plates or do it the old way where you use the one plate and just keep cutting/printing until you have an edition.  With that way, it seems like you would have to do it reverse (my brain isn't quite comprehending it).

02/11/2008 07:22:05

These are intriguing pieces.  I have done some printmaking, but am unfamilier with the relief technique.  Does it involve multiple plates? greg

 

02/06/2008 19:53:14

Eric,  Your work original and wonderful.  Great printmaking!!  While I principally do LF platinum work, I have been working with intaglio some this past year.  Thanks for posting and sharing your work.  !!  :-)   Gary

 

 

01/24/2008 20:16:52

Eric, do you have a web site?