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Contemporary Art and "A Painting a Day"
INTERNATIONAL CONTEMPORARY ART MOVEMENT
“A PAINTING A DAY”
Artist Philosophy
There are many things to see, unwrapped gifts and free surprises. The world is fairly studded and strewn with pennies cast broadside by a generous hand. But- and this is the point- who gets excited by a mere penny? If you follow one arrow, if you crouch motionless on a bank to watch a tremulous ripple thrill on the water and are rewarded by the sight of a muskrat paddling from its den, will you count that sight a chip of copper only, and go on your rueful way? It is dire poverty indeed when a man is so malnourished and fatigued that he won't stoop to pick up a penny. But if you cultivate a healthy poverty and simplicity, so that finding a penny will literally make your day, then, since the world is in fact planted in pennies, you have with your poverty bought a lifetime of days. It is that simple. What you see is what you get.
Annie Dillard
from "Pilgrim at Tinker Creek."
In 2006 Hall Groat II became involved with the new international Postmodern paradigm called "A Painting A Day" which originated in the United States. This new model was introduced to the world by, Duane Keiser, from Richmond, Virginia, and emerged on a global scale in 2004 through the confluence of various cutting-edge cyber elements, including popular auction sites, blogs, youtube and message boards through Google Groups. This initial model has evolved into a global view of fine art, nurtured by the Internet's public domain status and free from the influence of traditional institutions.
HISTORY OF ART
http://www.artcyclopedia.com/history/
{Please note: This is a partial list}
“A Painting A Day”, 2004 – Present
The “A Painting A Day” contemporary fine Art movement embraces a global view of fine art, and is nurtured by the Internet's public domain status and free from the influence of traditional institutions. It is the
first authentic international fine art movement in art history to emerge throughout the entire world in all 194 countries.
Duane Keiser
Hall Groat II
David Zeggert
Stephen Magsig
Justin Clayton
William Wray
Karin Jurick
Julian Merrow-Smith
Jeff Hayes
Neil Hollingsworth
Mick Mcginty
Abstract Expressionism Centered in New York City, 1946 to 1960's
Abstract Expressionism is a form of art in which the artist expresses himself purely through the use of form and color. It is form of non-representational, or non-objective, art, which means that there are no concrete objects represented. Now considered to be the first American artistic movement of worldwide importance, the term was originally used to describe the work of Arshile Gorky, Willem de Kooning, and Jackson Pollock. The movement can be broadly divided into two groups: Action Painting, typified by artists such as Pollock, de Kooning, Franz Kline, and Philip Guston, put the focus on the physical action involved in painting; Color Field Painting, practiced by Mark Rothko and Kenneth Noland, among others, was primarily concerned with exploring the effect of pure color on a canvas.
Hans Hofmann 1880-1966, German/American Painter
Adolph Gottlieb1903-1974, American Painter
Willem de Kooning 1904-1997, Dutch/American Painter
Franz Kline 1910-1962, American Painter
Jackson Pollock 1912-1956, American Painter
Academic Art
Adolphe William Bouguereau 1825-1905, French Painter
The American Scene, America, 1931-1940
American Regionalism 1930's
Thomas Hart Benton 1889-1975, American Painter
Grant Wood 1892-1942, American Painter
Social Realism America, 1930's
Social Realism is a form of naturalistic realism focusing specifically on social problems and the hardships of everyday life. The term most commonly refers to the urban American Scene artists of the Depression era, who were greatly influenced by the Ashcan School of early 20th century New York City. Social Realism is a rather pejorative label in the United States, where overtly political art in general, and socialist politics in particular, are extremely out of favor. Ben Shahn, Jacob Lawrence, and Jack Levine are the best-known American Social Realists.
The Ashcan School, New York City, 1908 to C.1913
The Ashcan School was a group of artists who sought to capture the feel of turn-of-the-century New York City, through realistic and un glamorized portraits of everyday life. It largely consisted of Robert Henri and his circle. Henri, an influential teacher, was an admirer of the down-to-earth American realism of Thomas Eakins and Thomas Anshutz. In addition to Henri, the Ashcan School consisted of George Wesley Bellows, William Glackens, George Luks, Everett Shinn, and John Sloan.
The Barbizon School
The Barbizon School was a group of landscape artists working in the region of the French town of Barbizon. They rejected the Academic tradition, abandoning theory in an attempt to achieve a truer representation of the countryside, and are considered to be part of the French Realist movement. Theodore Rousseau (not to be confused with naive artist Henri Rousseau) is the best-known member of the group. Other prominent members included Charles-Francois Daubigny and Constant Troyon. Realist painters Camille Corot and Jean-Francois Millet are also sometimes loosely associated with this school. The Barbizon School artists are often considered to have been forerunners of the Impressionists, who took a similar philosophical approach to their art.
Baroque Art, Europe, 17th Century
Baroque Art emerged in Europe around 1600, as an reaction against the intricate and formulaic Mannerist style which dominated the Late Renaissance. Baroque Art is less complex, more realistic and more emotionally affecting than Mannerism.This movement was encouraged by the Catholic Church, the most important patron of the arts at that time, as a return to tradition and spirituality. One of the great periods of art history, Baroque Art was developed by Caravaggio, Annibale Carracci, and Gianlorenzo Bernini, among others. This was also the age of Rubens, Rembrandt, Velázquez, and Vermeer. In the 18th century, Baroque Art was replaced by the more elegant and elaborate Rococo style.
Contemporary Realism America, Emerged in the Late 1960's/early 1970's
Contemporary Realism is the straightforward realistic style of painting which continues to be widely practiced in this post-abstract era. It is different from Photorealism, which is somewhat ironic and conceptual in its nature.Contemporary Realists form a disparate group, but what they have in common is that they are literate in the concepts of Modern Art, but choose to work in a more traditional form. Many actually began as abstract painters, having come through an educational system dominated by an establishment dismissive of representational painting. Among the best-known artists associated with this movement are Neil Welliver, William Bailey, and Philip Pearlstein. There is an identifiable "group" of Contemporary Realists, but we have used a fairly loose definition to allow inclusion of a larger number of 20th-century realists.
Cubism Europe, 1908-1920
Cubism was developed between about 1908 and 1912 in a collaboration between Pablo Picasso and Georges Braque. Their immediate influences are said to be Tribal Art (although Braque later disputed this) and the work of Paul Cezanne. The movement itself was not long-lived or widespread, but it began an immense creative explosion which resonated through all of 20th century art. The key concept of Cubism is that the essence of objects can only be captured by showing it from multiple points of view simultaneously. Cubism had run its course by the end of World War I, but among the movements directly influenced by it were Orphism, Purism, Precisionism, Futurism, Constructivism, and, to some degree, Expressionism.
Expressionism Centered in Germany, C.1905 to 1940's
Expressionism is a style of art in which the intention is not to reproduce a subject accurately, but instead to portray it in such a way as to express the inner state of the artist. The movement is associated with Germany in particular, and was influenced by such emotionally-charged styles as Symbolism, Fauvism, and Cubism. There are several different and somewhat overlapping groups of Expressionist artists, including Die Brücke, Der Blaue Reiter, Die Neue Sachlichkeit and the Bauhaus School.Leading Expressionists included Wassily Kandinsky, George Grosz, Franz Marc, and Amadeo Modigliani.
In the mid-20th century, Abstract Expressionism (in which there is no subject at all, but instead pure form) was developed into an extremely influential style.
Fauvism 1898-1908
Expressionism is a style of art in which the intention is not to reproduce a subject accurately, but instead to portray it in such a way as to express the inner state of the artist. The movement is associated with Germany in particular, and was influenced by such emotionally-charged styles as Symbolism, Fauvism, and Cubism. There are several different and somewhat overlapping groups of Expressionist artists, including Die Brücke, Der Blaue Reiter, Die Neue Sachlichkeit and the Bauhaus School.
Leading Expressionists included Wassily Kandinsky, George Grosz, Franz Marc, and Amadeo Modigliani. In the mid-20th century, Abstract Expressionism (in which there is no subject at all, but instead pure form) was developed into an extremely influential style
Futurism Italy, 1909-1914
Futurism is an Italian modernist movement celebrating the technological era. It was largely inspired by the development of Cubism. The core themes of Futurist thought and art were machines and motion. Futurism was founded in 1909 by Filippo Tommaso Marinetti, along with painters Giacomo Balla, Umberto Boccioni, Carlo Carrà, and Gino Severini.
The Group Of Seven Canada, 1920-1960's
The Group of Seven were Canadian wilderness landscape painters inspired by the work of Tom Thomson, who died under mysterious circumstances while on a trek in Ontario's Algonquin Park in 1917 (his body was found floating in Canoe Lake, but an autopsy showed an injury to the head and no evidence of water in his lungs).
Group of Seven artists were strongly influenced by Post-Impressionism, creating bold, vividly-colored canvases, and instilling elements of the landscape with symbolic meaning.
The group was not limited to the seven founding members, and they eventually changed their name to the Canadian Group of Painters. Besides Thomson, the group included Franklin Carmichael, A.J. Casson, Lionel Fitzgerald, Lawren Harris, Edwin Holgate, A.Y. Jackson, Arthur Lismer, J.E.H. MacDonald, F.H. Varley. Emily Carr was inspired by the group early in her career.
The Harlem Renaissance early 1920's to 1930's
The Harlem Renaissance was a flowering of African-American social thought which was expressed through the visual arts, as well as through music (Louis Armstrong, Eubie Blake, Fats Waller and Billie Holiday), dance (Josephine Baker), theater (Paul Robeson) and literature (Langston Hughes, Zora Neale Hurston, and W.E.B. DuBois). Centered in the Harlem district of New York City, the New Negro Movement (as it was called at the time) had a profound influence across the Unites States and even around the world.
The intellectual and social freedom of the era triggered a widespread migration of Black Americans from the rural south to the industrial centers of the north - and especially to New York City.Artists at the core of the Harlem Renaissance movement included William H. Johnson, Lois Mailou Jones and the sculptor and printmaker Sargent Claude Johnson. Other prominent artists associated with the Harlem Renaissance included Romare Bearden, Jacob Lawrence and Archibald Motley.Later artists influenced by the movement included Charles Sebree, John Biggers, Hale Woodruff, Beauford Delaney and Ernie Barnes (Barnes' Sugar Shack is the now-famous painting featured at the end of the TV show Good Times).
The Hudson River School America, 1835 to 1870
The Hudson River School was a group of painters, led by Thomas Cole, who painted awesomely Romantic images of America's wilderness, in the Hudson River Valley and also in the newly opened West. The use of light effects, to dramatically portray such elements as mist and sunsets, developed into a subspecialty known as Luminism.In addition to Cole, the best-known practioners of this style were Albert Bierstadt and Frederic Edwin Church.
Impressionism Centered in France, 1860's to 1880's
Impressionism is a light, spontaneous manner of painting which began in France as a reaction against the formalism of the dominant Academic style. Its naturalistic and down-to-earth treatment of its subjects has its roots in the French Realism of Corot and others.
The movement's name came from Monet's early work, Impression: Sunrise, which was singled out for criticism by Louis Leroy on its exhibition. The hallmark of the style is the attempt to capture the subjective impression of light in a scene. The core of the earliest Impressionist group was made up of Claude Monet, Pierre-Auguste Renoir, and Alfred Sisley. Others associated with this period were Camille Pissarro, Edgar Degas, Gustave Caillebotte, Frederic Bazille, Edouard Manet, and Mary Cassatt. The Impressionist style is still widely practiced today. However, a variety of successive movements were influenced by it, grouped under the general term Post-Impressionism.
Magic Realism 1943 to 1950's
Magic Realism is an American style of art with Surrealist overtones. The art is deeply rooted in everyday reality, but has overtones of fantasy or wonder. The term was later also applied to the literary works of authors such as Jorge Luis Borges and Gabriel García Márquez. Artists most commonly associated with the style are Paul Cadmus, Philip Evergood, Ivan Albright, and George Tooker. Andrew Wyeth is sometimes associated with this group, due to the slightly mysterious nature of his work.
Mannerism Europe, Mid to Late 16th Century
Mannerism, the artistic style which gained popularity in the period following the High Renaissance, takes as its ideals the work of Raphael and Michelangelo Buonarroti. It is considered to be a period of tecnical accomplishment but of formulaic, theatrical and overly stylized work.Mannerist Art is characterized by a complex composition, with muscular and elongated figures in complex poses. Discussing Michelangelo in his journal, Eugène Delacroix gives as good a description as any of the limitations of Mannerism. In addition to Michelangelo, leading Mannerist artists included Rosso Fiorentino, Pontormo, and Parmigianino. By the late 16th century, there were several anti-Mannerist attempts to reinvigorate art with greater naturalism and emotionalism. These developed into the Baroque style, which dominated the 17th century.
Neoclassicism Mid-18th Century to Early-19th Century
Neoclassical Art is a severe, unemotional form of art harkening back to the style of ancient Greece and Rome. Its rigidity was a reaction to the overbred Rococo style and the emotional Baroque style. The rise of Neoclassical Art was part of a general revival of classical thought, which was of some importance in the American and French revolutions. Important Neoclassicists include the architects Robert Adam and Robert Smirke, the sculptors Antonio Canova, Bertel Thorvaldsen, and Jean-Antoine Houdon, and painters Anton Raphael Mengs, Jean-Auguste-Dominique Ingres, and Jacques-Louis David. Around 1800, Romanticism emerged as a reaction to Neoclassicism. It did not really replace the Neoclassical style so much as act as a counterbalancing influence, and many artists were influenced by both styles to some degree. Neoclassical Art was also a substantial direct influence on 19th-century Academic Art
Neo-Plasticism Holland, 1920 to 1940
Neo-Plasticism is a Dutch movement founded (and named) by Piet Mondrian. It is a rigid form of Abstraction, whose rules allow only for a canvas subsected into rectangles by vertical and horizontal lines, colored using a very limited palette. Neo-Plasticism was somewhat influential on Russian Constructivism.
Photorealism 1960's to 1970's
Photorealism is a movement which began in the late 1960's, in which scenes are painted in a style closely resembling photographs. The subject matter is usually mundane and without particular interest; the true subject of a photorealist work is the way we unconsciously interpret photographs and paintings in order to create a mental image of the object represented. The leading members of the Photorealist movement are Richard Estes and Chuck Close. Estes specializes in street scenes with elaborate reflections in window-glass; Close does enormous portraits of neutral faces. Other photorealists also typically specialize in a particular subject matter: trucks, horses, diners, etc.
Pointillism France, 1880's
Pointillism is a form of painting in which the use of tiny primary-color dots is used to generate secondary colors. It is an offshoot of Impressionism, and is usually classified as a form of Post-Impressionism. It is very similar to Divisionism, but but where Divisionism is concerned with color theory, Pointillism is more focused on the specific style of brushwork used to apply the paint. The term "Pointillism" was first used with respect to the work of Georges Seurat, and he is the artist most closely associated with the movement. Among the relatively few artists following this style were Paul Signac and Henri-Edmond Cross.
Pop Art 1950's to 1960's
Pop Art is a style of art which explores the everyday imagery which is part of contemporary consumer culture. Common sources include advertisements, consumer product packaging, celebrities, and comic strips. Leading Pop artists include Robert Rauschenberg, Andy Warhol, and Roy Lichtenstein.
Post-Impressionism France, 1880's to 1900
Post-Impressionism is an umbrella term used to describe a variety of artists who were influenced by Impressionism but took their art in different directions. There is no single well-defined style of Post-Impressionism, but in general it is less casual and more emotionally charged than Impressionist work. The classic Post-Impressionists are Paul Cezanne, Paul Gauguin, Vincent van Gogh, Henri de Toulouse-Lautrec and Henri Rousseau. The Pointillists and Les Nabis are also generally counted among the Post-Impressionists.
Precisionism America, 1920's to 1930's
Precisionism (also known as Cubist Realism) is a style of representation in which an object is rendered realistically, but with an emphasis on its geometrical form. An important development in American Modernism, it was inspired by the development of Cubism in Europe. Charles Sheeler and Charles Demuth are most closely associated with Precisionism. The urban works of Georgia O'Keeffe are also highly typical of this style. Dealing as it did with pure form more than with narrative or subject matter, Precisionism gradually evolved towards Abstraction, and faded away as an important influence.
The Pre-Raphaelites Britain, 1848 to Late 19th Century
The Pre-Raphaelite Brotherhood was created in 1848 by seven artists: Dante Gabriel Rossetti, William Michael Rossetti, William Holman Hunt, James Collinson, John Everett Millais, Frederic George Stephens, and Thomas Woolner. Their goal was to develop a naturalistic style of art, throwing away the rules and conventions drilled into students' heads at the Academies. Raphael was the artist considered to have attained the highest degree of perfection, so much so that students were encouraged to draw from his examples rather than from nature itself; thus they became the "Pre-Raphaelites". The group popularized a theatrically romantic style, marked by great beauty, an intricate realism, and a fondness for Greek and Arthurian legend. The movement itself did not last past the 1850's but the style remained popular for decades, and influenced the Arts and Crafts Movement, the Symbolists, and even the Classicists
Realism Mid-19th Century
Realism is an approach to art in which subjects are portrayed in as straightforward manner as possible, without idealizing them and without following the rules of formal theory.
The earliest Realist work began to appear in the 18th century, as a reaction against the excesses of Romanticism and Neoclassicism. This is evident in John Singleton Copley's paintings, and some of the works of Goya. But the great Realist era was the mid-19th century, as artists became disillusioned with the Salon system and the influence of the Academies.
Realism came closest to being an organized movement in France, inspiring artists such as Corot and Millet, and engendering the Barbizon School of landscape painting.
Besides Copley, American Realists included Thomas Eakins, and Henry Ossawa Tanner, both of whom also received formal training in France.
French Realism was a guiding influence on the philosophy of the Impressionists.
The Ashcan School, the American Scene Painters, and, much later, on the Contemporary Realist movement are all following the American Realist tradition.
Regionalism 1930's
An American term, Regionalism refers to the work of a group of rural artists, mostly from the Midwest, who came to prominance in the 1930's. Not being part of a coordinated movement, regionalists often had an idiosyncratic style or point of view. What they shared, among themselves and among other American Scene painters, was a humble, antimodernist style and a fondness for depicting everyday life. However, their rural conservatism put them at odds with the urban and leftist Social Realists of the same era. The three best-known regionalists were Thomas Hart Benton, John Steuart Curry, and Grant Wood, the painter of the best-known and one of the greatest works of American art, American Gothic.
Early Renaissance Centered in Italy, 15th Century
The Renaissance was a period or great creative activity, in which artists broke away from the restrictions of Byzantine Art. Throughout the 15th century, artists studied the natural world, perfecting their understanding of such subjects as anatomy and perspective.
Among the many great artists of this period were Paolo Uccello, Sandro Botticelli, Domenico Ghirlandaio, and Piero della Francesca. During this period there was a parallel advancement of Gothic Art centered in Germany and the Netherlands, known as the Northern Renaissance.
The Early Renaissance was succeeded by the mature High Renaissance period, which began around 1500.
High Renaissance Centered in Italy, Early 16th Century
The High Renaissance was the culmination of the artistic revolution of the Early Renaissance, and one of the great explosions of creative genius in history. It is notable for three of the greatest artists in history: Leonardo da Vinci, Michelangelo Buonarroti, and Raphael.
Also active at this time were such masters as Giovanni Bellini, Giorgione and Titian.
By about the 1520's, High Renaissance art had become exaggerated into the style known as Mannerism.
Mannerism Europe, Mid to Late 16th Century
Mannerism, the artistic style which gained popularity in the period following the High Renaissance, takes as its ideals the work of Raphael and Michelangelo Buonarroti. It is considered to be a period of tecnical accomplishment but of formulaic, theatrical and overly stylized work.Mannerist Art is characterized by a complex composition, with muscular and elongated figures in complex poses. Discussing Michelangelo in his journal, Eugène Delacroix gives as good a description as any of the limitations of Mannerism. Prominent Member. In addition to Michelangelo, leading Mannerist artists included Rosso Fiorentino, Pontormo, and Parmigianino. By the late 16th century, there were several anti-Mannerist attempts to reinvigorate art with greater naturalism and emotionalism. These developed into the Baroque style, which dominated the 17th century.
Northern Renaissance Centered in Germany and the Netherlands, 15th-16th Centuries
The northern European tradition of Gothic Art was greatly affected by the technical and philosophical advancements of the Renaissance in Italy. While less concerned with studies of anatomy and linear perspective, northern artists were masters of technique, and their works are marvels of exquisite detail.The great artists who inspired the Northern Renaissance included Robert Campin, Jan van Eyck (and his brother Hubert, about whom little is known) and Rogier van der Weyden.As Italy moved into the High Renaissance, the north retained a distinct Gothic influence. Yet masters like Dürer, Bosch, Bruegel and Holbein were the equal of the greatest artists of the south.In the mid-16th century, as in the south, the Northern Renaissance eventually gave way to a highly stylized Mannerism.
The Rococo Style Europe, 1715 to 1774
The Rococo style succeeded Baroque Art in Europe. It was centered in France, and is generally associated with the reign of King Louis XV (1715-1774). It is a light, elaborate and decorative style of art. Quintessentially Rococo artists include Watteau, Fragonard, François Boucher, and Tiepolo. Rococo was eventually replaced by Neoclassicism, which was the popular style of the American and French revolutions.
Romanticism Late 18th Century to Mid 19th Century
Romanticism might best be described as anti-Classicism. A reaction against Neoclassicism, it is a deeply-felt style which is individualistic, beautiful, exotic, and emotionally wrought. Although Romanticism and Neoclassicism were philosophically opposed, they were the dominant European styles for generations, and many artists were affected to a greater or lesser degree by both. Artists might work in both styles at different times or even mix the styles, creating an intellectually Romantic work using a Neoclassical visual style, for example.
Great artists closely associated with Romanticism include J.M.W. Turner, Caspar David Friedrich, John Constable, and William Blake.
Surrealism: Europe, 1924 to 1950's
Surrealism is a style in which fantastic visual imagery from the subconscious mind is used with no intention of making the artwork logically comprehensible. Founded by Andre Breton in 1924, it was a primarily European movement which attracted many members of the chaotic Dada movement. It was similar in some respects to the late 19th-century Symbolist movement, but deeply influenced by the psychoanalytic work of Freud and Jung.The Surrealist circle was made up of many of the great artists of the 20th century, including Jean Arp, Max Ernst, Giorgio de Chirico, Man Ray, Joan Miro, and Rene Magritte. Salvador Dali, probably the single best-known Surrealist artist, was somewhat of an outsider due to his right-wing politics - during this period leftism was fashionable among Surrealists, in fact in almost all intellectual circles. The Magic Realists were American artists somewhat influenced by the Surrealists.
Symbolism Late 19th Century
Symbolism is a 19th-century movement in which art became infused with a spooky mysticism. It was a continuation of the Romantic tradition, which included such artists as Caspar David Friedrich and John Henry Fuseli. Anticipating Freud and Jung, the Symbolists mined mythology and dream imagery for a visual language of the soul. More a philosophy than an actual style of art, they influenced the contemporary Art Nouveau movement and Les Nabis.
The leading Symbolists included Gustave Moreau, Odilon Redon, and Pierre Puvis de Chavannes. The movement was also a major influence on some of the Expressionists, especially through the work of Edvard Munch and Franz von Stuck.
Footnotes: to “A Painting A Day”
“A Painting A Day”, 2004 – Present
The “A Painting A Day” contemporary fine Art movement embraces a global view of fine art, and is nurtured by the Internet's public domain status and free from the influence of traditional institutions. It is the
first authentic international fine art movement in art history to emerge throughout the entire world in all 194 countries.
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Mika
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Valeri, Sadie Jernigan
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Thomas Allom - English Painter
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Christoph Amberger - German Painter
Gregory Amenoff - American
Mark Amerika - American Digital Artist
Friedrich von Amerling - Austrian Painter
Ezra Ames - American Painter
Giacomo Amiconi - Italian Painter
Cuno Amiet - Swiss Painter
Jost Amman - German Engraver
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An He
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Gordon Anderson - Canadian
J. Anderson - British Sculptor
Laurie Anderson - American Performance Artist
Ruth A. Anderson - American
Sophie Anderson - French Painter
Stanley Anderson - English Painter
Walter Anderson - American Painter
Tadao Ando - Japanese Architect
Andokides - Greek Potter
Carl Andre - American Sculptor
Zoan Andrea - Italian Painter/Printmaker
Andrea da Firenze - Italian Painter
Andrea del Brescianino - Italian Painter
Andrea del Castagno - Italian Painter
Andrea del Sarto - Italian Painter
Andrea di Bartolo - Italian
Andrea di Vanni d'Andrea - Italian Painter
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Libero Andreotti - Italian Sculptor
Benny Andrews - African-American Painter
Michael Andrews - British Painter
Sybil Andrews - British/Canadian Printmaker
Pierre Andrieu - French Painter
Barbara Andrus - American Sculptor
Abraham Angel - Mexican Painter
Giuseppe Angeli - Italian Painter
Heinrich von Angeli - Austrian Painter
Fra Angelico - Italian Painter
Peter Angellis - Flemish Painter
Hermen Anglada Camarasa - Spanish Painter
Charles Angrand - French Painter
Francois Anguier - French Sculptor
Michel Anguier - French Sculptor
Lucia Anguissola - Italian Painter
Sofonisba Anguissola - Italian Painter
Albert Anker - Swiss Painter
David Annesley - British Sculptor
Pietro Annigoni - Italian Painter
Louis Anquetin - French Painter
Pieter van Anraadt - Dutch Painter
Andrea Ansaldo - Italian Painter
Richard Ansdell - English Painter
Michelangelo Anselmi - Italian Painter
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Anselmo da Campione - Sculptor
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Horst Antes - German Sculptor
Louis-Joseph Anthonissen - Belgian Painter
Antico - Italian Sculptor
Alexandre Antigna - French Painter
Antimenes Painter - Greek Vase Painter
Jose Claudio Antolinez - Spanish Painter
Stephen Antonakos - American
Antonello da Messina - Italian Painter
Antonello de Saliba - Italian Painter
Janine Antoni - Bahamas/American
Antonio da Fabriano - Italian
Garo Zareh Antreasian - American
Aleksei Antropov - Russian Painter
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Siegfried Anzinger - Austrian Painter
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Alessandro Araldi - Italian Painter
Diane Arbus - American Photographer
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Felipe Archuleta - American Artist
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Roy Arden - Canadian Photographer
Mordecai Ardon - Israeli Painter
Juan de Arellano - Spanish Painter
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Marshall Arisman - American Painter
Abram Arkhipov - Russian Painter
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Kenneth Armitage - British Sculptor
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John Taylor Arms - American
Henry Hugh Armstead - English Sculptor
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Ian Armstrong
John Armstrong - British Painter
William Armstrong - Canadian Painter
George Arnald - English Painter
Robert Arneson - American Ceramicist
Aden Arnold - American
Alberto Arnoldi - Italian Sculptor
Charles Arnoldi - American Sculptor
Arnolfo di Cambio - Italian Sculptor
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Jean Arp - German/French Painter/Sculptor
Eduardo Arroyo - Spanish Painter
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Richard Artschwager - American Artist
Boris Artzybasheff - Russian/American Painter/Illustrator
Arvilland - French
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Pieter Jansz. van Asch - Dutch Painter
Charles Robert Ashbee - British
Michael Asher - American Conceptual Artist
Kenojuak Ashevak - Canadian Inuit Printmaker
Tommy Ashevak - Canadian Inuit Sculptor
Pitseolak Ashoona - Canadian Inuit Printmaker
Julian Ashton - Australian Painter
Amico Aspertini - Italian Painter
Tiziano Aspetti - Italian Sculptor
Steven Assael - American Painter
Jan Asselyn - Dutch Painter
Gioacchino Assereto - Italian Painter
Federico Assler
Balthasar van der Ast - Dutch Painter
Asteas - Italian Vase Painter
Zacharie Astruc - French
Kutlug Ataman - Turkish Filmmaker
Eugene Atget - French Photographer
John Augustus Atkinson - English Painter
W.E. Atkinson - Canadian Painter
George A. Atkison - Irish
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Jean-Michel Atlan - French Painter
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Dotty Attie - American Painter
Rene Auberjonois - Swiss Painter
Charles Aubry - French Photographer
John James Audubon - West Indian/American Illustrator
John Woodhouse Audubon - American Painter
Frank Auerbach - German/British Painter
William Auerbach-Levy - American Painter
Louis-Augustin Auguin - French Painter
Robert-Joseph Auguste - French Silversmith
George Ault - American Painter
James Aumonier
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Lela Autio - American Printmaker
Rudy Autio - American Sculptor/Ceramicist
Jacques-Andre-Joseph Aved - French Painter
Richard Avedon - American Photographer
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Hendrick Avercamp - Dutch Painter
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Heneage Finch, Fourth Earl of Aylesford - English
Gillian Ayres - British Painter
Michael Ayrton - British
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Jose Aragon - American
Nobuyoshi Araki - Japanese Photographer
Alessandro Araldi - Italian Painter
Diane Arbus - American Photographer
James Archer - Scottish Painter
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Felipe Archuleta - American Artist
Giuseppe Arcimboldo - Italian Painter
Roy Arden - Canadian Photographer
Mordecai Ardon - Israeli Painter
Juan de Arellano - Spanish Painter
Stuart Arends - American Painter
Arent Arentsz. - Dutch Painter
Ivan Petrovich Argunov - Russian Painter
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Marshall Arisman - American Painter
Abram Arkhipov - Russian Painter
Siah Armajani - Iranian/American Sculptor
Arman - American Assemblage Artist
Maxwell Armfield - British Painter
Edward Armitage - English Painter
Kenneth Armitage - British Sculptor
John Armleder - Swiss
John Taylor Arms - American
Henry Hugh Armstead - English Sculptor
David Maitland Armstrong - American Stained Glass Artist
Ian Armstrong
John Armstrong - British Painter
William Armstrong - Canadian Painter
George Arnald - English Painter
Robert Arneson - American Ceramicist
Aden Arnold - American
Alberto Arnoldi - Italian Sculptor
Charles Arnoldi - American Sculptor
Arnolfo di Cambio - Italian Sculptor
Jean Arnould - Flemish Sculptor
Claude Arnulphy - French Painter
Jean Arp - German/French Painter/Sculptor
Eduardo Arroyo - Spanish Painter
Art and Language
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Richard Artschwager - American Artist
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Arvilland - French
Egid Quirin Asam - German Sculptor
Kosmas Damian Asam - German Sculptor
Pieter Jansz. van Asch - Dutch Painter
Charles Robert Ashbee - British
Michael Asher - American Conceptual Artist
Kenojuak Ashevak - Canadian Inuit Printmaker
Tommy Ashevak - Canadian Inuit Sculptor
Pitseolak Ashoona - Canadian Inuit Printmaker
Julian Ashton - Australian Painter
Amico Aspertini - Italian Painter
Tiziano Aspetti - Italian Sculptor
Steven Assael - American Painter
Jan Asselyn - Dutch Painter
Gioacchino Assereto - Italian Painter
Federico Assler
Balthasar van der Ast - Dutch Painter
Asteas - Italian Vase Painter
Zacharie Astruc - French
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Eugene Atget - French Photographer
John Augustus Atkinson - English Painter
W.E. Atkinson - Canadian Painter
George A. Atkison - Irish
Dr. Atl - Mexican Painter
Jean-Michel Atlan - French Painter
Attavante Degli Attavanti - Italian Miniaturist
Dotty Attie - American Painter
Rene Auberjonois - Swiss Painter
Charles Aubry - French Photographer
John James Audubon - West Indian/American Illustrator
John Woodhouse Audubon - American Painter
Frank Auerbach - German/British Painter
William Auerbach-Levy - American Painter
Louis-Augustin Auguin - French Painter
Robert-Joseph Auguste - French Silversmith
George Ault - American Painter
James Aumonier
Darrel Austin - American
Lela Autio - American Printmaker
Rudy Autio - American Sculptor/Ceramicist
Jacques-Andre-Joseph Aved - French Painter
Richard Avedon - American Photographer
Francesco Xanto Avelli - Italian Ceramicist
Barent Avercamp - Dutch Painter
Hendrick Avercamp - Dutch Painter
Milton Avery - American Painter
Alice Aycock - American Sculptor
Heneage Finch, Fifth Earl of Aylesford - English
Heneage Finch, Fourth Earl of Aylesford - English
Gillian Ayres - British Painter
Michael Ayrton - British
Luis Cruz Azaceta - Cuban Painter
Dirck van Baburen - Dutch Painter
Judith Baca - American Painter
Francesco Bacchiacca - Italian Painter
Otto Henry Bacher - American Painter
Sarah Bachrodt
Il Baciccio - Italian Painter
Harriet Backer - Norwegian Painter
Jacob Adriaensz. Backer - Dutch Painter
Jacob de Backer - Flemish Painter
Ludolf Backhuysen - Dutch Painter
Francis Bacon - Irish/British Painter
Henry Bacon - American Painter
John Henry F. Bacon - English Painter
Peggy Bacon - American Printmaker
Sir Nathaniel Bacon - English Painter
Bada Shanren - Chinese Painter
Sisto Badalocchio - Italian Painter
Joseph Badger - American Painter
Donald Baechler - American Painter
John Baeder - American Painter
Jan de Baen - Dutch Painter
George Baer - American Painter
Jo Baer - American Painter
Henry Howard Bagg - American
Giovanni Baglione - Italian Painter
Marco Bagnoli
David Bailey - British Photographer
Roger Bailey - American
William Bailey - American Painter
Francois Baillairge - Canadian Painter
Alice Bailly - Swiss Painter
David Bailly - Dutch Painter
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Bryant Baker - British/American Sculptor
William Bliss Baker - American Painter
Leon Bakst - Russian Designer/Illustrator
John Baldessari - American Conceptual Artist
Alessio Baldovinetti - Italian Painter
Cyrus LeRoy Baldridge - American Painter/Illustrator
Hans Baldung Grien - German Painter/Printmaker
Edouard Baldus - French Photographer
Douglas Baldwin
Lew Baldwin - American Digital Artist
Hendrick van Balen - Dutch Painter
Antonio Balestra - Italian Painter
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Stephan Balkenhol - German
Alice Worthington Ball - American Painter
Thomas Ball - American Sculptor
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Ole Peter Hansen Balling
Jose Balmes - Spanish/Chilean Painter
Balthus - French Painter
The Baltimore Painter - Greek Vase Painter
Lewis Baltz - American Photographer
Edme-Pierre Balzac
James Bama - American Painter
Bambaia - Italian Sculptor
Baccio Bandinelli - Italian Sculptor
Giovanni Bandini - Italian Sculptor
Thomas Banks - English Sculptor
Banksy - British Painter
Fiona Banner - British
Edward M. Bannister - African-American Painter
Evrard Bapst
Marciano Baptista - Painter
Miklos Barabas - Hungarian Painter
William Barak - Australian Aboriginal
Frida Baranek - Brazilian Sculptor
Wladimir Baranoff-Rossine - Russian/Ukrainian Sculptor
Jean Barbault - French Painter
Charles Burton Barber - English Painter
Giuseppe Barberi - Italian
Jean Barbet - French
Miquel Barcelo - Spanish Painter
Eliza Rosanna Barchus - American Painter
James Bard - American Painter
John Bard - American Painter
Dirck Barendsz. - Dutch Painter
James Barenger - English Painter
Charles Bargue - French Painter
Barisano da Trani - Italian Sculptor
Albert Winslow Barker - American
Clive Barker - British
Margaret Barker - British
Thomas Jones Barker - English Painter
Wright Barker - English Painter
Thomas Barker of Bath - English Painter
Ernst Barlach - German Sculptor
Francis Barlow - English Painter
Barna da Siena - Italian Painter
Barnaba da Modena - Italian Painter
Rev. William Henry Barnard - British Painter
Ernie Barnes - African-American Painter
Will Barnet - American Painter
Matthew Barney - American
Tina Barney - American Photographer
Wilhelmina Barns-Graham - British Painter
J.M. Barnsley - Canadian Painter
Federico Barocci - Italian Painter
Francois Barois - French Sculptor
Rafael Barradas - Uruguayan Painter
Laureano Barrau - Spanish Painter
Jean-Auguste Barre - French Sculptor
George Barret Jr. - English Painter
George Barret Sr. - Irish/English Painter
Bill Barrett - American Sculptor
Robert Barrett-Browning - English Painter
Louis-Ernest Barrias - French Sculptor
Gracia Barrios
Hugh Barron - English Painter
Joseph Charles Barrow
Anne Meredith Barry - Canadian Painter
James Barry - Irish Painter
Robert Barry - American Conceptual Artist
William Gerard Barry - Irish Painter
Hercules Barsotti - Brazilian Painter
Uta Barth - German/American Photographer
Richmond Barthe - African-American Sculptor
Melchiorre Barthel - German Sculptor
Frederic-Auguste Bartholdi - French Sculptor
Paul-Albert Bartholome - French Sculptor
Sara Norwood Bartle - American Painter
Bo Bartlett - American Painter
Jennifer Bartlett - American Painter
Paul Wayland Bartlett - American Sculptor
William Henry Bartlett - English Painter/Engraver
Lorenzo Bartolini - Italian Sculptor
Bartolo di Fredi - Italian Painter
Bartolomeo da Brescia - Italian
Bartolomeo di Giovanni - Italian Painter
Bartolomeo Veneto - Italian Painter
Fra Bartolommeo - Italian Painter
Francesco Bartolozzi - Italian Engraver
Hendrik Bary - Dutch
Antoine-Louis Barye - French Sculptor/Painter
Marco Basaiti - Italian Painter
Afro Basaldella - Italian Painter
Mirko Basaldella - Italian Sculptor
Pierre Francois Basan - French Engraver
Basawan - Indian Miniaturist
Evaristo Baschenis - Italian Painter
Graeme Base - Australian Illustrator
Georg Baselitz - German Painter
Maria Bashkirtseff - Ukrainian/French Painter/Writer
James Basire - English Printmaker
Leonard Baskin - American Painter/Sculptor
Jean-Michel Basquiat - African-American Painter
Francesco Bassano - Italian Painter
Jacopo Bassano - Italian Painter
Leandro Bassano - Italian Painter
Bartholomeus van Bassen - Dutch Painter
Lazzaro Bastiani - Italian Painter
Giovanni Bastianini - Italian Sculptor
Il Bastianino - Italian Painter
Jules Bastien-Lepage - French Painter
James Bateman - British Painter
Robert Bateman - Canadian Painter
Robert Bateman 1842-1922 - British Painter
David Bates - American Painter/Sculptor
Harry Bates - English Sculptor
Maxwell Bates - Canadian Painter
Pompeo Batoni - Italian Painter
Pierre-Antoine Baudouin - French Painter
Paul Baudry - French Painter
Gustav Bauernfeind - German Painter
Lubin Baugin - French Painter
Charles Baugniet - Belgian Painter
Charles Baum - German/American
Leila T. Bauman - American Painter
Gustave Baumann - German/American Painter
Karl Baumann - German/American Painter
Willi Baumeister - German Painter
Lothar Baumgarten - German Installation Artist
Johann Wolfgang Baumgartner - German Painter
Peter Baumgartner - German
Edward Bawden - British Painter
George Baxter - British Painter
Herbert Bayer - German/American
Ramon Bayeu - Spanish Painter
Francisco Bayeu y Subias - Spanish Painter
Thomas Bayrle - German
Jean Bazaine - French Painter
Ercole Bazicaluva - Italian
Frederic Bazille - French Painter
William Baziotes - American Painter
Giuseppe Bazzani - Italian Painter
Ernesto Bazzaro - Italian Sculptor
Thomas Beach - British Painter
Gifford Beal - American Painter
Jack Beal - American Painter
Reynolds Beal - American Painter
Mary Beale - English Painter
Lawrence Beall-Smith - American Painter
Carl Beam - Native Canadian
Mark Beam - American Sculptor
Caroline Van Hook Bean - American
Adelia Belle Beard - American
Richard Beard - English Photographer
William Holbrook Beard - American Painter
Romare Bearden - African-American Painter
Aubrey Beardsley - English Illustrator
The Beardsley Limner - American Painter
Jackson Beardy - Native Canadian
George Beare - English Painter
Bruce Beasley - American Sculptor
Felice A. Beato - Italian/British Photographer
Cecil Beaton - British Photographer
J.W. Beatty - Canadian Painter
Robert Beauchamp - American Painter
Sir George Howland Beaumont - English Painter
Andre Beauneveu - Netherlandish Painter/Sculptor
Cecilia Beaux - American Painter
Domenico Beccafumi - Italian Painter
Francesco Beccaruzzi - Italian Painter
Gaspar Becerra - Spanish Painter/Sculptor
Bernhard Becher - German Photographer
Hilla Becher - German Photographer
Robert Bechtle - American Painter
Leonhard Beck - German Painter
Tova Beck-Friedman - Israeli/American Sculptor
Ferdinand Becker - English
Fred Becker - American
Clarice Beckett - Australian Painter
Francis A. Beckett - American
William Beckman - American Painter
Max Beckmann - German Painter
James Carroll Beckwith - American Painter
Francis Bedford - English Photographer
Jose Bedia - Cuban Installation Artist
Sir William Beechey - British Painter
Vanessa Beecroft - Italian Performance Artist
Cornelis Beelt - Dutch Painter
Olive Beem - American
Jan de Beer - Netherlandish Painter
Sir Max Beerbohm - English Illustrator
Jan van Beers - Belgian Painter
Julia Hart Beers - Scottish/American Painter
Jan Abrahamsz. Beerstraten - Flemish Painter
Osias Beert the Elder - Flemish Painter
Cornelis Bega - Dutch Painter
Karl Begas the Elder - German Painter
Harrison Begay - Native American Painter
Abraham Begeyn - Dutch Painter
Barthel Beham - German Engraver
Hans Sebald Beham - German Engraver
Edmund Behles - German Photographer
William Behnes - English Sculptor
Leigh Behnke - American Painter
Peter Behrens - German Designer
Norman Bel Geddes - American Designer
Belbello da Pavia - Italian Manuscript Illuminator
Cecil C. Bell - American Painter
Charles Bell - American Painter
Dozier Bell - American Painter
Edward A. Bell - American
George Bell - Australian Painter
Harriet Bell - Artist
John Zephaniah Bell - British
Julie Bell - American Illustrator
Larry Bell - American Sculptor
Leland Bell - Native American Painter
Peter Bell - British/Canadian Painter
Robert Anning Bell - English Painter
Trevor Bell - British Painter
Vanessa Bell - English Painter
F.M. Bell-Smith - English/Canadian Painter
Hippolyte Bellange - French Painter
Jacques Bellange - French Painter
Bartolomeo Bellano - Italian Sculptor
Alexis Simon Belle - French Painter
Henri Bellechose - Flemish Painter
Jean Bellegambe - Netherlandish Painter
Gaetano Bellei - Italian Painter
Albert Belleroche - English/French Painter/Printmaker
Jean Bellette - Australian Painter
Valerio Belli - Italian Jeweller
Elinor Bellingham-Smith - British Painter
Gentile Bellini - Italian Painter
Giovanni Bellini - Italian Painter
Jacopo Bellini - Italian Painter
Hans Bellmer - German/French
A. Belloguet
Bernardo Bellotto - Italian Painter
Albert Fitch Bellows - American Painter
George Wesley Bellows - American Painter
Antonio Bellucci - Italian Painter
Leon Belly - French Painter
Bonifacio Bembo - Italian Painter
Howard Ben Tre - American Sculptor/Glassmaker
Francesco Benaglio - Italian Painter
Peter Paul Benazech
Henry Benbridge - American Painter
Wilhelm Bendz - Danish Painter
Sylvia Bendzsa - Canadian Printmaker
Benedetto da Maiano - Italian Sculptor
Benedetto da Rovezzano - Italian Sculptor
Luis Fernando Benedit - Argentine
Lynda Benglis - American Sculptor
Billy Al Bengston - American Painter/Sculptor
Simon Bening - Flemish Manuscript Illuminator
Ben Benjamin - American Digital Artist
John Bennett - English/American Potter
Rainey Bennett - American
William James Bennett - American
Robert Benney - American Painter/Illustrator
Aleksandr Benois - Russian Painter
Nadia Benois
Marie-Guillemine Benoist - French Painter
Francois-Leon Benouville - French Painter
Jean-Achille Benouville - French Painter
Ambrosius Benson - Flemish Painter
Frank Weston Benson - American Painter
Leslie Langille Benson - American Painter
Douglas Wayne Bentham - Canadian Sculptor
Fletcher Benton - Sculptor
Thomas Hart Benton - American Painter
Benvenuto di Giovanni - Italian Painter
Giovanni Maria Benzoni - Italian Sculptor
Jean Beraud - French Painter
Nicolaes Berchem - Dutch Painter
Gerrit Adriaensz. Berckheyde - Dutch Painter
Job Berckheyde - Dutch Painter
Elizabeth Berdann - American Painter
Adrian Berg - British Painter
Pierre-Nolasque Bergeret - French Painter
Christoffel van den Berghe - Dutch Painter
Johann Georg Bergmuller - German Painter
Yosl Bergner - Austrian/Israeli Painter
Bergognone - Italian Painter
Antoine Berjon - French Painter
John Berkey - American Illustrator
Christine Berkman
Tony Berlant - American Painter
The Berlin Painter - Greek Vase Painter
Bonaventura Berlinghieri - Italian Painter
Eugene Berman - Russian Painter/Designer
Wallace Berman - American Assemblage Artist
Bartolome Bermejo - Spanish Painter
Emile Bernard - French Painter
Giovanni Bernardi - Italian Jeweller
Martin Bernat - Spanish Painter
Antonio Berni - Argentine Painter
Oscar Edmund Berninghaus - American Painter
Gianlorenzo Bernini - Italian Sculptor/Painter
Pietro Bernini - Italian Sculptor
Theresa Ferber Bernstein - American Painter
Louis Beroud - French Painter
Alonso Berruguete - Spanish Painter/Sculptor
Pedro Berruguete - Spanish Painter
David Berry - American Sculptor
George Theodore Berthon - Austrian/Canadian Painter
Edouard Bertin - French Painter
Jean-Victor Bertin - French Painter
Nicolas Bertin - French Painter
Harry Bertoia - Italian/American Sculptor/Designer
Bertoldo di Giovanni - Italian Sculptor
Ray Bertrand - American
Vincent Bertrand - French
Giovanni Battista Bertucci - Italian Painter
Albert Besnard - French Painter
Jolan Gross Bettelheim - Czech Painter/Printmaker
Bartolomeo Bettera - Italian
John Bettes - English Painter
Louis Betts - American Painter
Joachim Beuckelaer - Flemish Painter
Lorne Beug - Canadian Mixed Media Artist
Joseph Beuys - German Co
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